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Sony 85mm 1.4G Master Lens

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An excellent day with Chris Exner

Last week I had an excellent day with Chris Exner.

He needed various PR and professional shots for his up and coming 2022 projects.

We set about producing some lovely images that he could use across various media. Some business like and others adding a little more drama to the lighting.

The day whizzed by and we produced a variety of wonderful shots that you can see in the Chris' folio on the website

Fast Lenses: Why are lenses sometimes described as “fast?”

Fast Lenses: Why are lenses sometimes described as “fast?”

What makes a lens a “fast” lens?

This term is often used and can be confusing to new photographers. It’s important to bear in mind that this is an old term and has been in use for many years, specifically, before the digital photography and electronic camera age.
In photography terms like this are often used inappropriatedly, by mistake, or, simply overlapped with similar terms.
In the context of this subject I will give a quick overview of what it actually means.
Remember: When referring to fast lenses, photographers (including myself) use terms like “wide aperture” or “larger aperture”, meaning the same thing. So, in this context “wide or wider”, refers to the aperture, not the focal length of the lens.

Looks like Spring

Looks like Spring

Last winter was the, longest I’ve ever experienced… and you may be feeling this too.

Spring is now here, and with lockdown, here in the UK, finally coming to an end I can get back to shooting some beautiful images. Meanwhile, here’s a lovely, previously unused image of Cody, taken in Richmond Park, London, UK. As usual, her easy way and relaxed pose looks effortless as always. We shot this on a warm summer day back in 2019. Whilst processing this image it dawned on me that it is a good example of why using a higher megapixel camera is preferable, if you are shooting portraits

Earlier Articles are listed below…

The Road Not Taken

The Road Not Taken

Whilst wandering through Richmond Park I happened upon this view, on the slopes above the polo field, by Ham Gate.

The yellow light was bathing the naked oaks and last year’s ferns. The remnants of the fallen oak in the foreground resembles a magnetic termite mound I had once seen in the red centre of Australia. Its fractured spires reaching the the sky. Jo and I have become adept at finding new places to visit in Richmond Park, as the pandemic recedes, we often find ourselves on the road not taken.

It reminded me of Frost’s words:

Hang on in there! Spring is just around the corner…

Hang on in there! Spring is just around the corner…

Hang on in there! Spring is just around the corner… – Maybe time to read a book and have a coffee?

To all my friends and family, both here in the UK and around the world, Spring is nearly here. If you are still in lockdown, like we all are here in the UK, hang on in there! The nice lady from the NHS said that I’ll have to wait until the second injection before I can leap between tall buildings in a single bound! So, I guess I’ll have to be satisfied with the consolation that we will soon be able to have friends around to sit in the garden. I have cleaned the BBQ until it glows, and there are cold drinks in the fridge.

Meanwhile, here’s a new image of Cody from the garden sessions, taken in a time before the zombie apocalypse.
I can report that we are all well here, and so is Cody. Although we are not able to shoot together, we have been behaving very badly during lockdown, by listening to Trance sessions on Twitch…
I should know better, but I don’t care, so big up Ben Gold, XiJaro And Pitch, Armin Van Buuren & ASOT and PSYMILL, and big up AstraZeneca and the NHS!

Cody re-imagined

Cody re-imagined

Cody re-imagined – Why complicate a simple shot?

This is the second in a series of re-imagined beauty images of Cody Cataluffi from 2019

This is shot directly in the afternoon sun. You can see that the sun is top right, from the side, slightly behind the model. There is a half gold reflector, filling the shadows from the left. It’s set parallel to the model, so that it doesn’t “uplight” her.

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